Queer African creatives have been making their mark around the world through a range of forms – books, films, fashion, art, music. Their work wins awards, sets trends and is studied by scholars. Most research on African queerness, however, comes from outside the continent.
So, we put together a special journal issue to celebrate some of these works that have appeared over the past decade or so. And also to create a space for African and Africa-based scholars to reflect on what’s happening on the continent.
The contributors don’t only examine what these creative works reveal. They also consider how these artists are experimenting with style, voice, genre and imagery to express queer lived experiences.
Here we highlight seven works of art discussed in papers in the special issue – from stories of childhood sexual experiences to bold fashion shows, musical films to maverick lesbian novels. They show the complex ways queer people shape their identities and express desire in very different African settings.
1. Tell Me Your Politik by Nakhane
Nakhane is a South African singer, writer, and actor whose work examines the meeting place of queerness and blackness. The song Tell Me Your Politik (from the 2023 album Bastard Jargon), presents Black men in a hypermasculine, military-style training environment. But two of them are quietly and tenderly beginning to express desire for each other. This moment of intimacy is interrupted by aggressive military drills led by a white commanding officer. The song’s lyrics insist on the need for ideological alignment (“tell me your politik”) before intimacy. This raises questions about love, politics, and consent.
In his article, Gibson Ncube argues that the music video for the song uses touch to explore queerness as a form of resistance. Gentle and intimate gestures between Black men challenge dominant ideas of Black masculinity. The contrast between caring and violent touch reveals how queerness disrupts systems of domination. Touch becomes political, offering new ways of being and imagining queer futures.
2. Under the Udala Trees by Chinelo Okparanta
Under the Udala Trees is a 2015 novel by Nigerian writer Chinelo Okparanta. It follows Ijeoma, a Nigerian girl discovering her same-sex attraction during the time of the Biafran War. Chinelo Okparanta. FrimousseRoche/ Wikimedia Commons , CC BY-SA
Forced into Bible lessons by her mother to “cure” her queerness, Ijeoma grapples with shame, rejection, and a coerced heterosexual marriage. The novel critiques religious and political oppression. It imagines resilience and queer love in a hostile environment.
In his article, Wisani Mushwana shows that Under the Udala Trees exposes how Nigerian religious and political leaders weaponise biblical shame to enforce a heteronormative society, inflicting religious trauma in the process.
Ijeoma’s bold questioning of the Bible challenges traditional Christian teachings and the use of scripture to shame or judge others. The novel highlights the lack of spaces where queer identity can be affirmed. At the same time, it uses the power of storytelling to reclaim agency and reimagine queer liberation.
3. The Quiet Violence of Dreams by K. Sello Duiker
The Quiet Violence of Dreams by the late South African novelist K. Sello Duiker was published in 2001. Tshepo is a queer Black man in post-apartheid South Africa. He navigates trauma, identity, and survival. After being raped and robbed, Tshepo finds temporary refuge in a Cape Town male brothel where he explores same-sex intimacy and community.
Ntokozo Wandile Mbokazi and Lucy Valerie Graham think about the novel alongside the controversial South African film Inxeba/The Wound. They argue that the book and film challenge traditional ideas of Africanness. Tshepo’s story is a postcolonial coming-of-age tale which is shaped by disillusionment as the protagonist tries to fit into society.
Racial and class tensions weaken the solidarity of queer people. This shows the limits of freedom in post-apartheid South Africa and how enforcing traditional masculinity often involves violence.
4. Lagos Space Programme by Adeju Thompson
Lagos Space Programme is a Nigerian fashion label created by designer Adeju Thompson. The brand combines west African fabrics and non-binary gender expression to challenge traditional ideas of masculinity. Through fashion, it connects Yoruba beliefs, queer politics, and bold design to celebrate the fluidity of gender.
Khaya Mchunu and Isaiah Negedu show how the label uses clothing to question to imagine freer, more inclusive futures. Rather than looking for acceptance by fitting in, Lagos Space Programme insists on visibility and creative self-expression. It reclaims African traditions while disrupting fixed social norms.
5. Nine Pieces of Desire by Idza Luhumyo
The past decade has seen the publication of several important anthologies of queer African short stories.
Two stories in particular are given attention in the special issue. Kenyan writer Idza Luhumyo’s 2017 story Nine Pieces of Desire is about 10-year-old Mariam, who lives in a Kenyan Muslim community. It explores her silent rebellion against patriarchal and religious norms after a fleeting same-sex encounter with her friend Grace.
6. Plums by Kharys Laue
South African writer and editor Kharys Laue’s 2018 short story Plums recounts Chris’s childhood memory of a tender moment with her friend Gloria on a South African farm. This is contrasted with her adult struggles in a heteronormative and racist society.
Leila Hall argues that these two stories disrupt the harmful binary of “innocent children/perverse homosexuals” by portraying childhood same-sex desire as natural and consensual, outside of adult coercion. They push back against the false idea that being queer means being dangerous. The young narrators help us see how systems of oppression work in everyday life.
7. Kanarie by Christiaan Olwagen
Kanarie is a 2018 South African film by Christiaan Olwagen. It follows Johan Niemand, a young gay man conscripted into the apartheid-era army in the 1980s. Under the racist system, white men were conscripted to help maintain the government’s power. Selected for a military choir, “the Canaries”, Johan deals with his sexual identity within a hypermasculine space. The film blends musical elements and melodrama to explore his inner conflict, his love for pop culture, and a tentative romance with another recruit. All in the face of conservative Christian nationalism.
Andy Carolin argues Kanarie is more than a coming out story. It uses melodrama to imagine a queer way of being. By merging fantasy with realism, it shatters ideas of good versus evil or right versus wrong.
The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.
By Gibson Ncube, Senior Lecturer, Stellenbosch University And
Andy Carolin, Associate Professor of English Literature, University of Johannesburg
